Mermet

Countdown sequences separating 33 chapters of 33 Words film, a feature-length film made by Russian designers about Russian design.

A series of short CGI videos for DEMO Festival, shown across 80 digital screens at Amsterdam Centraal Station — a 24-hour public takeover featuring motion work from studios, designers, and art academies worldwide.

Instagram takeover for Type.Today (Feb 2020). Centered on a single editorial thesis: our contradictory relationship with plastic.

Motion design and art direction for the 30th-anniversary strategy conference of Alfa-Bank, one of Russia's largest private banks.

CGI and typography for cover for Jan Amit's album cover. Released on 11 December 2020.

Creative direction for the BBE educational platform, built to absorb fast growth and constant new features without losing identity. A scalable UI system spans the full scope of the school's tasks: marketing, product, careers, and sales.

Creative direction for BBE's social and marketing communications, pushing the school's design work to its limit. Scope covered socials, promos, sale campaigns, and guidelines, each treated as editorial design first and marketing second. The result was communications that earned attention on their own merits, building brand desirability alongside enrollment.

Brand identity for a 36-chapter documentary on Russian visual culture, covering titles, inter-chapter cuts, landing page, and an in-browser collectible game. A single spatial metaphor, a snowy desert where the viewer surfaces cultural artifacts, ties 36 contributors into one film. Viewed by 10,000+ viewers across 50+ cities.

Kinetic typography and motion design for a Porsche Netherlands campaign at porsche.nl. Three lesser-known racing stories become sub-minute narratives.

Rebranding of Ariad post-merger, the “Triple-A” concept (Assess, Assemble, Amplify) is woven into bold typography and motion-driven design to reflect people-first digital talent solutions.